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Όλον.Projekt
freedom
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Όλον is the greek word of the Whole where
Όλον is the greek word of the Whole where
the Όλον is greater than the sum of its parts.
Ατελείωτη κίνηση,
Endless movement,
Ατελείωτη κίνηση,
Endless movement,
σημείο που εναρμονίζει τα πάντα,
point which harmonizes everything,
point which harmonizes everything,
κίνηση σε ανάπαυση,
motion at pause,
motion at pause,
άπειρο χωρίς ποσότητα,
infinity without quantity,
infinity without quantity,
αδιαίρετο και ατελείωτο.
indivisible and endless.
indivisible and endless.
- PASCAL -
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Cogito ergo SUM. This time facts are distributed differently. The moments with common characteristics are gathered together.
2 months, 7 months, 30 years, 5 minutes, 27 whole hours... All in! Bones, crashes, rapture, rupture, solutions, laminated facts.
6 days cuts, 15 months lost and founds, 18 months keep waiting, 2 years still keep waiting, Window to the Air. 1 year. Take a shower before the 200 days. 2 weeks wondering.
1 min to realize that your body collapses.
1 min to realize that your body collapses.
6 days cuts, 15 months lost and founds, 18 months keep waiting, 2 years still keep waiting, Window to the Air. 1 year. Take a shower before the 200 days. 2 weeks wondering.
2 months, 7 months, 30 years, 5 minutes, 27 whole hours... All in!
Bones, crashes, rapture, rupture, solutions, laminated facts.
The moments with common characteristics are gathered together.
This time facts are distributed differently.
Cogito ergo SUM.
The Sea...
 |
| Cogito ergo sum Υπάρχω / I do exist |
Rejoice your heart. Tiny nuggets full of moments that do not last.
You live the joy to jump in and out as a child that bouncing on hot sand.
Πόσο μπλε χάλασες για να μην σε βλέπω //// How much blue you've spend so that I cannot see you
Οδυσσέας Ελύτης //// Odysseus Elytis
Working with Leeda:
It's unique the way that "habit" can be performed each time. How impulse and how really crucial is for everybody who's improvising. States and even if you collapse there is always a movement by moving and always looks like means "Carry On". Leeda helped me a lot to understand the agony. The body agony to release. Iron stressed body but fragile. Your centre is getting low. Submerge but straight. Body balance. Moving to carry on. Only the head leads. You are on the line, body and mind. Invert. Invert. Pole opposes. So does the body. Downloading has been completed. Reverse. So, the head once more. But what's the head of the body each time and why?
[@Robert Clark] Body in absolute control, from the center. Insist on keeping moving as you always have to fight. So wise men Chinese or Japanese people! All the connections (joints) are on the way. At the end, fighting in a flow reflected as a dance. Birth. A whole breathe. I was trying to picture somehow the inners body movement, when its moving - how it would be pictured? For me, it's like we have eaten a whole diabetes. Low base, moveable head, free hands and feet. So specific, so safe, so controlled, so absolute, so unique, so... circle, a kind of freedom. No errors. So released...
Through the previous days tasks in the Lab I observed how moving accumulated kinetically in our centers. Keep your line and move your bases each time with a different one. No matter the centre you set eventually the body collapses and head is alway on the top as eyes always want to meet hands or foot points. The Eye. and if your Blind. Paralysis?
for choreo (Robert Clark_Master Class):The shape of the body can be printed only by 2 touches. The point is if you want to see. Where your eyes have been focused. Pause and control your self.
But what if you choose not to see? Why do I have to wake up? What if I like it this way? So tough, so strict, so lined movement can only reflect my thoughts. "Architected by" and solid. Deep inside, so desperate!!! Let me listen to your breath.
[Kiriakos Spirou @Lab]
There is always a recipe. Subconsciously. Let yourself go and you will see it. Different menu for each day. And the opposite. It sounds wired but it's your daily melody. But what about the repetition? What if you will be repeated? In an original way. You have to save your knowledge, the every single moment of strict and demanding minute in the school, and convert it into creation. We need new things.
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The decimal point. Comma (,) or Full stop (.) instead?
The numeric Value.
Paper strips with perennial decisions.
Rigid architecture when you are young.
Task 1: The others
Task 2: The decisions for them
Task 3: The solution
Step bouncy and vibrant color.
Parity.
the absolute BALANCE
Working with Marielys:
Finally we have to carry 1. Point. Full-stop or comma for a period? No collapse but standing pose. No collapse but a standing pose. The movement trim uses a lot of brain. Moving. Moving. Even if we split in 2 we carry one, because we are individuals (1). At the end the fall (scene). Full-stop. The rest of the numbers are coming accordingly and strictly after the punctuation.
Αddition or abstraction?
[ ___ ] Today we will proceed by discovering how the body reacts with the same tasks among others. Real ones or Fantastic? The body language.
Proliferation or division?
Slow down SOUND and make its energy aura direct }}}
"Surprise box has a top with a hole in it large enough to put your hand through it. One person puts something into the box. anything. A second person comes when the box has been left alone, and reaches into the box to find what has been left inside. He may feel around fast or slow, depending on how much suspense he wants to fell. Stability. He can do whatever he likes with what he found. He then can put something else in the box for the next person to find". BEACH CRAWL - Project for Boxes [Kyriakos Spirou @Lab]
The numbers coming after are the carry 1 that motivated us. It's what we choose. Prothesis (intention). Through Marielys experience it was interested to see the use of the space. By being alone or by the exist of "others". Does the body center is trying to be 1?
Kiriakos helped me to accept my choreo rythm. But what about the temp? After Robert's today workshop, my breath brought me to conclude that there is not only kinetic control. Maybe the rhythm will change, but my melody won't. Deep and slow energy. Silencio.
After that results it was great to see my body movement by moving when I "carry 1" for Leeda's task. You have to improvise on your own first before choreograph. How it could be shared by the moving after 2 minutes of repetition?
Finally we have to carry 1. Point. Full-stop or comma for a period? No collapse but standing pose. No collapse but a standing pose. The movement trim uses a lot of brain. Moving. Moving. Even if we split in 2 we carry one, because we are individuals (1). At the end the fall (scene). Full-stop. The rest of the numbers are coming accordingly and strictly after the punctuation.
Αddition or abstraction?
[ ___ ] Today we will proceed by discovering how the body reacts with the same tasks among others. Real ones or Fantastic? The body language.
Proliferation or division?
Slow down SOUND and make its energy aura direct }}}
"Surprise box has a top with a hole in it large enough to put your hand through it. One person puts something into the box. anything. A second person comes when the box has been left alone, and reaches into the box to find what has been left inside. He may feel around fast or slow, depending on how much suspense he wants to fell. Stability. He can do whatever he likes with what he found. He then can put something else in the box for the next person to find". BEACH CRAWL - Project for Boxes [Kyriakos Spirou @Lab]
The numbers coming after are the carry 1 that motivated us. It's what we choose. Prothesis (intention). Through Marielys experience it was interested to see the use of the space. By being alone or by the exist of "others". Does the body center is trying to be 1?
for choreo (Robert Clark_Master Class):||> Eye-contact // contact // self-control // emotions contol // intention <||
For being on 1 you have to think as 1. The moving is clear. Move goes on...
After that results it was great to see my body movement by moving when I "carry 1" for Leeda's task. You have to improvise on your own first before choreograph. How it could be shared by the moving after 2 minutes of repetition?
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hORse. <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<
<<< Today after thinking of the Robert Clark's workshop a new tab opened in my mind: Body moving discussion. 2 bodies, 1 spine to keep on flowing.
Explanation: It's more than real, it's real honest to make discussion by listening and reacting just like a body. But keep on the rules otherwise you drop! Through technique with have the flow. But what about the rhythm for 3, 4, 5 ... bodies? Research time. Please come on stage.
It's clear that is all about willing. So the expression, the face expression comes to dominate. The more I can see your face the better "discussion" results you achieve.
<<< Today after thinking of the Robert Clark's workshop a new tab opened in my mind: Body moving discussion. 2 bodies, 1 spine to keep on flowing.
Explanation: It's more than real, it's real honest to make discussion by listening and reacting just like a body. But keep on the rules otherwise you drop! Through technique with have the flow. But what about the rhythm for 3, 4, 5 ... bodies? Research time. Please come on stage.
It's clear that is all about willing. So the expression, the face expression comes to dominate. The more I can see your face the better "discussion" results you achieve.
Are you happy
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> I need a really brave discussion. Horse picture.
Να γιατί ΤΩΡΑ καθόμαστε οκλαδόν στην επιφάνεια τούτου του αθόρυβου πλανήτη που ακολουθεί θροΐζοντας την αργή τροχιά του, προσπαθώντας να μην τραβούμε καθόλου την προσοχή.
That's why NOW we sit squatting calmly on the surface of this silent planet, that follows swishing its own slow trajectory, trying not to draw any attention.
- DAVID EAGLEMAN -
ΕΙΜΑΙ ΕΔΩ
I AM HERE
ΤΩΡΑ
NOW
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_•_
_______
__________________
___________________________
____________________________________
So many thoughts can derive from a glance. I was wondering how all theses spots could be translated in movement by moving on and on and on. We will never stop moving. But what about the movement. How it reacts. One small change to pause, a wave leads to integration. Pause is motion. Lucency. I have the chance to research through total different movings, through a big variety of movements. It is complicated as the meaning has to be specific. No distraction. Stick on the path.
THEASIS.
Beginning of the process of viewing (Theasis) is to return in the outbreak of "father". the heart. the land is not contrary to the sky, but part of it. you and me, our planets, our galaxies belong to what we should all fronts infinite living mass. having a specific word for this living mass gives you the illusion that you have acquired a certain idea of its enormous size. just put the infinity in all these figures, the mathematics are changing. so does the moving. Quiet body and gravity. The space inside and outside of the body. The beginning and the end of the move. The poetry of geometry.
Are we trying to assimilate the communication? But why? We belong in the same galaxy and we are so equal. Real equality. We emanate from one another. That is the origin. After having got organized and supplied with techniques we discovered we can communicate in order to combine.
What can we say? What can we ask? Whether this was an attempt to reply? What should have requested for in order to be useful for our life? And if said something important will all feared unrest that answer? It would make any sense to present to a bacterium a Shakespeare's play?
But this makes no sense. It's vain. We can not bridge over our size.
Sometimes we are blind to see that at the point of horizon land and the blue sky amalgamate. Earth is a circle. Inexperienced concentric cycles begin at the core. Wave-shape reveals. This is our connection with the other worlds.
Be each others resource:
Hold your worlds. Keep the core. You are the core and the other worlds are connected. [Ana Sanchez-Colberg]
The meaning changes depending on the spatial scale. the communication is possible but pointless.
That's why NOW we sit squatting calmly on the surface of this silent planet that follows swishing its own slow trajectory, trying not to draw any attention.
Όλον
•
Simplicity to construct the bridge
Color your way
E.
_•_
_______
__________________
___________________________
____________________________________
FLAMEnco . ConTEMPOrary . AERial
Movement and Body expression is straight, intense,
sudden...
Wrists are spinning more than usual.
...THE BALANCE...
Flamenco for the total emotions. Contemporary for the Higher Self. Both for Εthereal body.
Flamenco for the total emotions. Contemporary for the Higher Self. Both for Εthereal body.
2
in
1
but...
1
+
1
=
1
Ένα
.THE STRENGTH OF THE FLOW.
Throughout this workshop I can start realizing my
thoughts and ideas with the help of the mentors/instructors/artists,
in general inspirational and professional people, who can really
release my thoughts so as to obtain the ability of improvisation in
the way that I am feeling it.
Vertical dance
instructiONs. Contemporary and aerial pole art combination makes me ESCape from the instruction and transforms everything into Dance.
